This week the New Orleans Chapter of the American Institute of Architects (AIA) announced the recipients of the 2009 Design Awards. Out of 70 entries, 12 were chosen for awards, 3 of which were awards of Honor and the other 9 were awards of Merit. The theme for this year’s awards was “Responsive, Responsible, Timeless,” which was chosen to emphasis the importance of classical architecture and design. The awards were chosen by a Jury featuring Jim Evans, AIA; Andrew Vrana, AIA; and Kimberly Hickson, AIA and were presented in a ceremony presided over by Jeffrey Smith, AIA 2009 President of the AIA New Orleans Chapter and Design Awards Chair Michael Piazza, AIA. Of the 12 winners there are only 6 firms represented; I have to wonder why this is. Is there a lack of architects doing good work in New Orleans, or is this phenomenon the result of the 70 project pool that was judged? If the former, then there seems to be an opportunity waiting for a young rising star to make their name, if its the latter I wonder why so few offices are entering work to be judged. I would hate to think that the results of [...]

Above is the keynote address from the Tulane School of Architecture sponsored symposium: Preservation Matters by Tulane Alum and Editor of Architectural Record magazine, Robert Ivy, FAIA. The speech is a long overdue acknowledgement of the work of the Preservation Studies / Historic Preservation Program headed by my past professor, Eugene Cizek, FAIA and a discussion of the historic preservation movement within the city of New Orleans and Tulane’s role through the twentieth century. I have to laud the efforts of the new Dean of the Architecture School, Kenneth Schwartz, who introduces the conference and Mr. Ivy. Regional Modernism has a more detailed synopsis of the presentation. Throughout my years at the school, I always felt that the historical importance of place and the efforts of the preservation program to bring this idea to the student body was too often bulldozed by a blind passion for high modernism and other international styles. Issues of climate and green design were handled in the structural technology classes, but too often they did not play a part in the critically explored design studio work. As an aside, I spent a number of minutes trying to figure out where they held this symposium. This [...]

Tulane School of Architecture is hosting a one day symposium at the end of January focusing on Preservation. The keynote speaker will be Robert Ivy, FAIA and one of my favorite professors, Eugene Cizek, FAIA, will be providing commentary. This symposium is free and open to the public. If I was able to be in New Orleans, I would love to attend.

The New York Times has a brief article about a church that could not afford to expand on their historic structure, and so instead worked a deal with a developer to get space under a new highrise. In addition, neighborhood improvements were also carried out. The article poses the most poignant question that preservationists must face: is the historic architectural fabric more important than the quality of life of those who inhabit the spaces? This question is really the crux of modern preservation. With modern laws and sensibilities homes and structures relating to famous people will be saved and preserved, it is the fabric and architectural experiments of the nameless faceless crowd that really make up our architecturally history and too often they are pushed aside for progress. In the case of this article it IS sad to see such an interesting structure fade into the past, but then again is it worse to see a community die around a building like this? The issue here comes down to a matter of means, if it was possible the church should have found a developed willing to build a building that would create architectural interest and install a plaque/display about the [...]

Mies van der Rohe’s Farnsworth House, which I blogged about suffering flood damages, has re-opened to special guided tours on a limited basis.  These special tours will raise money for restoration and repairs and will focus on the extent of the damages caused by the flooding and the process of historic restoration.  More information can be found in this press release from the National Trust for Historic Preservation or at their blog, PreservationNation.

A good friend of mine from architecture school who is involved in the process of building the new Charity Hospital sent me an update on the old building’s situation. Selections from her response below: [A]s I work at the firm that did the storm damage and the new packages to get the work done to fix the MYRIAD of problems just from the storm itself with FEMA I can pretty much tell you this: that building will never again be a hospital. According to the codes necessary for health care there is no way for that building to reach code for less than a couple more million than they’re going to spend on the new one. In addition the amount of asbestos and mold inherent in the HVAC and wall systems, due to the materials used last time they renovated that building, stack another couple to 30 mil on. It’s not a cheap building to fix for anything, especially for something as specific as a hospital. Which is why they are pouring 10.2 billion dollars (most likely plus) into the new LSU/Charity Hospital … [P]eople can make noise as much as they want about it being done faster with a [...]

This is a bit of really good news! Over at PreservationNation it seems that there is some discussion by RMJM Hillier about rehabilitating Charity Hospital in New Orleans. This 1938 Art Deco building always reminded me of a little bit of Gotham City in the heart of the Crescent. Besides its architectural good looks, I knew many a service industry worker without health care who were able to be treated here without having to worry about repayment, and quite a few LSU medical school students who trained here. In addition, I had a number of friends in the Tulane EMS squad, and they always told me that if I got shot, to ask the ambulance driver to bring me to charity, because they had the best gunshot trauma ward in town.

It remains to be seen if this will ever see the light of day, and in addition, if it does how preservation sensitive the rehabilitation will be.

Today I received an e-mail from The National Trust for Historic Preservation giving me an update on the condition of the Farnsworth House, a piece of seminal modern architecture by Mies van der Rohe. The flood waters have receded, but as you can see in the above photo, there is as expected water and mud damage. The glass windows/walls are intact, as are the travertine floors; the primavera wood panels from the living room were rescued, but much of the built in wood has suffered water damage. The extent of the restoration process is yet to be determined, but because of the large scale damage clean up operations in the area the process will be slow. The full story can be found at PreservationNation.

Due to unusually heavy rains and flooding caused by the remnants of Ike and Lowell, Mies van der Rohe’s Farnsworth House has 1 foot of standing water in it, according to the National Trust’s Blog PreservationNation. The house is built 5′ off of the ground, so that means there 6′ of flood water. Hopefully, when the water subsides, the damage will be able to be repaired.

As a former resident of New Orleans, Tulane School of Architecture alumni, a preservationist, and as a future architect I implore you to stop the destruction of modernist buildings in New Orleans. Ever since the Vieux Carré Commission stood up to Robert Moses and the original planned route for I-10, there has been an understanding in New Orleans that its buildings are the presents physical link with the city’s history, and that history and tourists desire to explore it and embrace it has been the economic engine that has allowed rebuilding to be a possibility. If there has been one place that preservation has failed in New Orleans, it is in regards to Modernist architecture. The city was done a historical and architectural disservice with the destruction of the Rivergate, a building that was unique in New Orleans’s architectural landscape. We now stand on a precipice, the bulk of the schools scheduled to be closed and demolished are some of the few examples of southern regional Modernism in New Orleans. With their destruction we stand to lose a huge part of our architectural and cultural history. In addition, by demolishing the schools we are only contributing more waste to the [...]

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