The majority of DC is a pedestrian city; it is meant to be viewed up close and slowly. The streets of row houses are hidden behind a protective screen of trees and gardens known affectionately as “The Parking” and can only be fully appreciated by a pedestrian wandering in this ribbon of green. Viewing these neighborhoods form a car is a difficult endeavor, first the greenery obstructs many of the facades and second unless you find a place to park, the buildings go by too rapidly (even at a leisurely 25 mph) to appreciate the finer details. The same goes for the grand vistas of the National Mall and the Federal City, while these are on a grander monumental scale, they are only really appreciated by pedestrians who can walk their lengths. Cars are able to drive down along the mall, but again the view across is screened by greenery and the few crossings do not provide a full appreciation of the structured view. Even the Modernist complexes of near South West are better appreciated on foot. Sure, you can see all of the buildings from the street, but only pedestrians can explore the rabbit warren of tunnels, paths and [...]
BLDGBLOG ran a story today about Project Iceworm and how the US had at one point built a research/military base UNDER the greenland glacier. While reading this story, all I could think of is how this kind of technology could be used. The three places my mind goes are colonizing Antarctica, surviving the next Ice Age, and colonizing Enceladus the Ice Moon of Saturn. I know, crazy right?
In Fall of 2009 I went on a trip to Deep Creek Lake, Maryland with some friends. While I was out there I took the opportunity to visit both Falling Water and Kentuck Knob. They are about an hour away and part of the same tour system. While Falling Water may well be Frank Lloyd Wright’s most well known home, neither should be missed. Kentuck Knob is a great example of how a Usonian Home could be modified to suit the needs of a much wealthier client than the original target market. Furthermore, the house is built on a hexagon base unit which stands in full contrast to the rectangle used as the base for Falling Water. When I returend to Northern Virignia I had the pleasure of touring a third Wright home, the Pope-Leighey House, a more traditional Usonian Home. While less well known, this house holds its own in any architectural arena. Compared to Kentuck Knob and Falling Water, this middle class home feels more garden folly than full time residence, but it is a great example of an early compact Modern compact home which manages to fit in the creature comforts in the smallest of spaces. Which [...]
Today I headed down to the Solar Decathlon on the National Mall. While there I was able to tour 15 of the 20 homes. I was happy to see that the Mall was crowded with people braving the wet and cold to visit these houses, even if that meant that the lines for some of the more award winning homes (like Germany and California) were so long that I chose to see 8 other houses instead of trying to get into them. These houses all had innovative design solutions to create energy efficient and responsible homes. Interestingly enough, most of the homes used off the rack products, but just assembled them in innovative ways. Where I found the homes to be lacking was that most of them did not fully address their sites. Many of the homes did not interact with the portions of their lots that faced away from the main walk-way (those on the North were predominantly South focused, and those on the south were mainly North focused). Now I know a lot of this had to do with strategic window placement, but for homes which were little more than 15′x50′ rectangles it felt like opportunities to fully [...]
I’ve been harboring a secret for the past few weeks and been dying to post about it but had to wait until it went live. I am now a weekly feature writer for the DC architecture and property blogDC Metrocentric. Its one of the reasons O haven’t posted on here very much, that and just plain laziness. I’ve spent quite a bit of time trying to develop a writing identity for that site. I will be analyzing and criticizing local architecture within the beltway. If anyone has any suggestions I would welcome the input. You can find my first post,
Tulane School of Architecture is hosting a one day symposium at the end of January focusing on Preservation. The keynote speaker will be Robert Ivy, FAIA and one of my favorite professors, Eugene Cizek, FAIA, will be providing commentary. This symposium is free and open to the public. If I was able to be in New Orleans, I would love to attend.
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Frank O. Gehry, there is no other practicing architect who has as much name recognition amongst laymen and who can cause such distress amongst architects. With his two recent projects (the Princeton Lewis Science Library and an addition to the Art Gallery of Ontario) open to the public there has been much talk about the stylistic dichotomy between them. Phillip Kennicott, in an article examining Gehry’s body of work, wrote in this past Sunday’s Washington Post: as observers attempt to sum up his career and project his legacy, there is a growing sense that his most acclaimed work, buildings made in the style of Bilbao, have turned out to be dead ends. Rather than open up new possibilities for the architect, they seem to have left him in a rut. And as his most recent projects suggest, Gehry’s best work today may be his least “Gehryesque.” Yet, I have to wonder if the critique’s that have been written about these two buildings and their relationship to his work as a whole have missed the forest through the trees. The problem with analyzing Gehry’s work is that too often critics fall into the trap of comparing his buildings as individual works [...]
In the past century we have seen the rise of polytechnic architecture, a method of building which divorces the architect from the world of art and creativity, and instead treats buildings as solutions to engineering problems and casts architects in the role of project managers, facade coordinators and space planners. Working and living within this modern paradigm it can be easy to forget that our profession is not just about ensuring the health, safety and welfare as our licenses require, but also about creating spaces that inspire and capture the imagination. The New York Times has an interesting article describing a new exhibit of sketches by Frank Gehry at the Princeton University Art Museum which help to remind us that architecture is more than creating big boxes for commercial and residential means. While I am not a huge fan of Gehry, and feel that he is more popular for the “cool” factor of his buildings than for the real reason he should be popular – that if you consider the sum total of his works as one examination in form, it is a very interesting exercise in mass and volume and the delamination of these masses and volumes, I am [...]
Tomorrow is Black Friday, which means that the Holidays are right around the corner and with them comes the chore of finding the perfect gifts for those you are about. If you are searching for that modernist (or anti-modernist) in your life, you might think that the new biography of Le Corbusier by Nicholas Fox Weber would be the perfect gift. Hold back though, if Phillip Kennicott’s review in this past Sunday’s Washington Post Book Revue section, has any bearing, this new biography of one of the most famous and central figures in the modernist movement, Le Corbusier, might not be for you.