I’ve been out of town for the past two weeks and had nary a moment to read architecture stories, let alone compose a post of my own criticism or comments. Sometimes the real world seems to not want to let me get back to the virtual one. So instead, as my welcome back post, I thought I would post a link to Eikongraphia’s Most Popular Architecture Blogs of 2008. This is really a best of the best list, look for future articles to be sourced from these blogs (and their coming addition to my links list). Maybe one of these days I can make this little side project into a top 25 worthy entry.

The Newseum has always been a strange concept for me: a museum, an embodiment of the past, dedicated to the news, the embodiment of the present. Way back in 1999 I came to DC with my Highschool Government Class to participate in the “We the People” Competition as the New York State Champions. One of the many tourist-y things we did was visit the old Newseum in Rosslyn. At the time the museum was two years old and with its gleaming white ceramic sphere of a dome architecturally significant. I do not remember much – we were only there for an hour or so – but I do remember the rooftop garden and memorial, which was dedicated to journalists who died in pursuit of the news. It was a twisting spiral of glass plates engraved with the names of the fallen, a light and airy contrast (and tiny) to Maya Lin’s Vietnam Memorial. I can not wonder, that in light of the Iraq Occupancy and the 127 journalists who have died there, if the new Museum was to have such a structure, how big would the spiral be? Would it start to approach the Vietnam Memorial in size?

Life Without Buildings has an interesting post showing the top four winners of this year’s AIA New Orleans design awards. As is no surprise to any one who has lived in New Orleans and been involved in architecture, Eskew+Dumez+Ripple had a good showing with one landscape project and an urban housing schema designed for Brad Pitt’s “Make It Right” housing program. The residential project seems to me to be very much in the vein of the rest of their work. The renderings available on the website are signature EDR – hyper distorted perspective, large swaths of color, gauzey scale figures, and an almost too crisp structure. Their landscape project is more of an interest to me. It encompases the site I used for my architecture thesis and shares some of the same concepts – reintroduction of the city to the river and revitalization of a much neglected part of the city. From the one image I have seen, the similarities appear to only be in design concept, and not execution, but I am more than interested to see how this project develops.

Yanko Design has an interesting article which they referenced from Dezeen about Shigeru Ban’s paper Tea House installation being put up for auction. Now as much as I’d love to own this piece of architecture, I know that I would never be able to afford it. On the otherhand, I can admire it and learn from it. Ban’s use of paper has been his recent ongoing material de-mode. Paper as a building method is an interesting, though not intuitive, choice. There are some fundamental problems that come with paper; first, structural stability can be compromised by water, second, (non-coated) paper is very difficult to clean, and third, the presence of sunlight and air can cause acid-rich paper to deteriorate overtime. All of this non-withstanding amazing things have been created from paper; Frank Gehry’s famous series of chairs, Ban’s recent work with paper tubes, as well as recent pieces at DWR and other retailers. But the paper design that strikes the most similarity to the Paper Tea House is some of the recent office furniture from MUJI. They have the same kraft paper color and texture, as well as the crisp almost modern edges. Paper as an architectural and design material [...]

So I don’t know how I missed this, but apparently on Monday, March 31st The Washington Post ran an article about the new phenomenon of Foreclosure Tours in the DC/NOVA metro area (Click here for the article). This strikes a sore spot with me, it makes me think of the Katrina tours that sprung up in New Orleans once tourists started to return to the city. Now I know this is a different sort of animal; the article describes these tours as “foreclosure seminars on wheels” and they are intended to help fill in neighborhoods instead of to educate. Yet in the end, I wonder, aren’t they both ways of profitting off of the pain and suffering of others? Now i know that this in and of itself is not really architecture or design related, but I feel as if the whole foreclosure mess stems from the modern architecture and urban development of the US. For the past century we have been spreading farther and farther from urban centers and the average american living space has ballooned, this has not only affected us mentally and physically, but it is also affecting us environmentally and monetarily. As we move farther from [...]

On tuesday the DCist ran an article about the National’s Stadium being the first LEED rated stadium in the country and the general move of DC towards what may be perceived as “Green Architecture”. (Click here for the article) I feel that this article fails to clarify some key issues and understand a few things about the difference between “Green Architecture” and LEED. First, the US Green Building Council (USGBC) to quote their own website is “a 501(c)(3) non-profit community of leaders working to make green buildings accessible to everyone within a generation.” This group is not affiliated with any state government, and I feel that it bears questioning the merits of requiring new construction to comply with a private non-profit agency (as DC is doing), instead of a public agency. This smells a little to strongly of privatization for me, but thats another post for another day. Second, the LEED system is a method of ranking a building based on points for certain qualifications. This system does not weight any points higher than others; using solar panels to account for 20% of your used power is worth the same as providing showers and bike racks or choosing a site [...]

The Washington Post ran an article critiquing the National’s Stadium on the Anacostia Waterfront. (Click here for the article). The author’s main thesis is that while the new stadium functions much better than RFK, it is lacking in charm and thoughtful design.

I personally feel that Mr. Kennicott is both on track and off base at the same time. What he maligns is one of my greatest issues with American contemporary architecture, engineered buildings. The majority of our construction today are buildings meant to function as “machines for living,” they are tweaked and altered to arrive at the lowest cost most program efficient yet bland and boring structures; wouldn’t Le Corbusier and Walter Gropius be so proud?

According to the Washington Post (click here for the article) Jean Nouvel has been awarded the Pritzker Prize. A more fully illustrated blog post can be found at Gizmodo (click here for the post). This intrigues me because Jean Nouvel is one of the contemporary architects whose buildings were used quite often as precedent studies in school. He joins other distinguished contemporary precedent study architects like Zaha Hadid, Rem Koolhaas, and Herzog and de Mueron. I have only seen one of his buildings in person, the institute of the Arab World in Paris. I was only able to see it from the outside, but that is where most of the design concept lies. The skin, which is patterned off of an Islamic geometric progression and screening methods, is made of a geometric/fractal-like pattern of operable irises that adjust to limit the solar gain. When I visited the building, it appeared to have some issues with the operation of these irises. Some of them were stuck in the open and others in the closed position.

The Washington Post has an article (click here for the article) in this Sunday’s “Style” section about two different urban landscape projects in DC. This article is an intersting analysis of two urban landscapes on the boards for DC. The author examines these landscapes in two dimensions: first to see if they fit with the DC status quo and second to explore whether they would be welcome and beneficial explorations of urban space. The thing about this article that strikes me is that since moving here 3 years ago, DC has always seemed to be a city out of scale. The monumental city is so large and the same rules of planning and vistas have been applied to the commercial districts to create a city which – to the pedestrian – rarely feels crowded. I compare this with Manhattan and Paris and immediately see where they differ (succeed if you will). Both of these cites have broad monumental axis where it is appropriate, yet in the pedestrian commercial corridors space is a commodity. This allows the individual to feel the herd-like nature of the crowd and truly understand the modern city and its perpetual quixotic noise, motion, sights & smells. [...]

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