Kube Open House

Street View of KUBE House in Georgetown

I went to an open house a number of months ago for a new project by KUBE architecture. From the street, this Georgetown home, designed by Janet Bloomberg, seems to be yet another Georgian town house. When you open the door you find yourself transported to a modern space more at home in Los Angeles or manhattan than the 18th century streets of DC’s 2nd ward, yet the starck transition works. It sets you up for a series of well lit rooms that play with the modern trope of compression and release but manage to avoid the pitfall of hyper-glossy surfaces that are too often found in contemporary spaces. Instead Janet has chosen a muted palet of textural elements which alternate between the sheen of brushed metal, the warmth of rich wood veneers and the pleasantly imperfect nature of unglazed ceramics.

Front Window Bay of KUBE House in Georgetown

The house is anchored by a floating stair whose verticality is emphasized by a curtain of steel cables running from the ground floor to the second story.  While an interesting architectural element, the steel cables at times present a bit of a challenge in visual and physical comfort.  When I visited the house was very crowded, the steel cables made the narrow kitchen passage feel even tighter.   While a wall would have made the situation even worse, an open void may have made this space not nearly as tight.  Then again, in a day to day mode, this would never be an issue.

Kitchen and Stair of KUBE House in Georgetown

Light plays a big part of this house, Light is brought in through a skylight in the center of the house. Part of it is captured in the bathrooms through the use of a glass baseboard along the bathroom walls to allow subtle lighting in while still maintaining privacy. It should be noted that privacy is also an essential element for the master bathroom whose door is hidden in plain sight amongst the wall panels of the Master Bedroom. Light then filters through the stair cables and into the kitchen and is supplemented by a slim window along the south kitchen wall. The kitchen itself was an interesting mix of two wood tones, stainless steel counter-tops with an integral sink and a bright orange frosted a transparent polymer island top. Finally light filters through a glass panel under the stairs into the large finished basement with a bathroom. This space is nicely lit and could easily be adapted as an extra bedroom or as a guest suite.

Rear Operable Wall of KUBE House in Georgetown

The rear wall was a NanaWall like system; when opened it complete disappeared allowing the small rear yard to flow into the house as one living space. Combine this with the mostly concrete back yard and you have a space that easily could be an extension of the living room. The cast concrete backyard has a poetic 3 square feet of grass, which is just large enough to be noticeable, but small enough to be ironic. If there is anywhere where I felt things could be improved it would have to be the rear yard; while I get the statement that is being presented here, I would have loved to see a tree or two worked into the backyard, it felt like a missed opportunity.

Heaven in 3 and half rooms

Pope-Leighey House, Fairfax, Virginia.

In Fall of 2009 I went on a trip to Deep Creek Lake, Maryland with some friends. While I was out there I took the opportunity to visit both Falling Water and Kentuck Knob. They are about an hour away and part of the same tour system. While Falling Water may well be Frank Lloyd Wright’s most well known home, neither should be missed. Kentuck Knob is a great example of how a Usonian Home could be modified to suit the needs of a much wealthier client than the original target market. Furthermore, the house is built on a hexagon base unit which stands in full contrast to the rectangle used as the base for Falling Water.

Pope-Leighey House Bedroom, Fairfax, Virginia.

When I returend to Northern Virignia I had the pleasure of touring a third Wright home, the Pope-Leighey House, a more traditional Usonian Home. While less well known, this house holds its own in any architectural arena. Compared to Kentuck Knob and Falling Water, this middle class home feels more garden folly than full time residence, but it is a great example of an early compact Modern compact home which manages to fit in the creature comforts in the smallest of spaces.

Pope-Leighey House Living Room, Fairfax, Virginia.

Which leads me to the general feeling I had about all three residences: how small and cave-like they felt. All of the spaces are characterized by tight control of light, generally short ceiling, and a lack of extraneous space. All three houses function in a completely different domestic paradigm than today’s residential housing stock. Wright’s signature styles of compression and release and geometric efficiency of space stood in sharp contrast to the contemporary residential style of orthographic expansion and redundancy. This is all part of the drama of his architecture. Falling Water, which has a total of 5,330 square feet (2885 square foot interior; 2445 square foot terraces) and a guest house of 1,700 square feet, is comparable to many of the McMansions of recent years with their 3,500 Square feet of interior space; but yet they somehow feel larger and grander. Even the minuscule solar decathlon houses which are often criticized for being free standing one bedroom apartments feel palatial compared to Wright’s 1200 square foot two bedroom, 1 bath, with office Pope-Leighey House.

Falling Water Guest House and Walkway, Mill Run, Pennsylvania.

All of that said, there is a comfort to be found in these small quarters. Everything feels more appropriate and human scaled and so well designed that additional space would be an unwelcome excess. Furthermore, these houses, unlike our modern bog-box storage units, are designed with a bare modicum of storage locations. The house is on display, not your collectibles. That is not to say these houses are austere, far from it, nor are they filled with a Rococo style of ornament. They walk a fine line between monk’s cell and IKEA showroom.

Kentuck Knob Entry Forecourt, Chalk Hill, Pennsylvania.