Articles of Interest

Here are some links to articles that have peaked my interest in the last few days:

Eastern Bloc meet Eastern BLOCK

The Times Online has an interesting article on the new CCTV building in Beijing. I’m sure everyone has seen this new iconic building by now, it rises like a wracked square casting an imposing shadow over the city below.

It is no surprise to me that the co-architect of OMA’s CCTV building, Ole Scheeren, is an impossibly young (35 years old) German Architect who was lived through the unification of Communist and Capitalist Germany. In the shape of the building it is easy to see the fingerprints of earlier experiments in modernism, in both the stark oppressive communist variety and the lofty grasping skyscrapers of New York and Chicago. And yet it has been distorted and made more complex. It is almost as if someone took the Arche de La Defense and twisted it until not only did the building distort, but the skin was also skewed.

This building challenges not only the symbol of a skyscraper but also that of the communist party controlled media in China. It could be a building in the process of collapse, a colossus falling to the ground, or it could be seen as a tower pulling itself up from the ground. Just as it could be a symbol of oppressive all-seeing orwellian control, or possibly a watchdog sheltering the people of china and enshrining their future. Only time will tell.

Its the global economic paradigm, stupid!

As anyone who has been even remotely cognizant of the news can tell you, the US is facing some bad times. We are having credit failures, banking collapses, increased food costs, increased energy costs, a craptacular housing market, and a general retail slump. The last one is worrisome to me, the incessant purchasing of the American middle class has been the economic engine keeping this boat afloat and paddling upstream. With the recent closing of national chains such as Steve and Barry and the downsizing of Starbucks I have to wonder how this is affecting the independent merchant, and then I stop and realize that except for the high-end boutiques and artists and artisans there really are no more mom and pop shops in this country. But that chilling thought aside, the area most visibly harmed in this country has been the housing market.

Breadlines, are they our future?

[Image via TRiver.]

As anyone who has been even remotely cognizant of the news can tell you, the US is facing some bad times. We are having credit failures, banking collapses, increased food costs, increased energy costs, a craptacular housing market, and a general retail slump. The last one is worrisome to me, the incessant purchasing of the American middle class has been the economic engine keeping this boat afloat and paddling upstream. With the recent closing of national chains such as Steve and Barry and the downsizing of Starbucks I have to wonder how this is affecting the independent merchant, and then I stop and realize that except for the high-end boutiques and artists and artisans there really are no more mom and pop shops in this country. But that chilling thought aside, the area most visibly harmed in this country has been the housing market. People have lost their houses and many who haven’t are trapped in their homes until the market rises again. This directly affects the architectural community in this country; the majority of architectural services are performed in the residential sector, either as new construction or renovation. With people being upside down in their mortgages, there is little available capital for renovation and additions, and less demand for new homes. Less new homes means less institutional (schools and government) construction and in turn less incentives for commercial construction. The great hope has been that while the credit market is global, the housing market slump would stay local, or at least national. But this article in the Scotsman, Architect firm axes workers – Scotsman.com Business, helps to drive home the point that this economic crisis is no longer a local event.

Now as a community, we architects have two choices, we can either shrug and play ostrich until we too have to join the breadlines or we can try to design a solution. I think that if we can help change the design discourse from luxury and excess to efficiency and thrift we will see a capital return on our efforts. But I have to stress that cutting budgets are not enough. There is no reason why architects are not developers in the US, we are skilled in design and planning in ways that developers aren’t and we can see beyond the bottom line to the total life and health of a project. In addition, I think we need to start thinking locally again and starting small. We as designers should lobby our local governments to construct well designed bus shelters and other utilitarian spaces, and if the mass transit system doesn’t exist we should push for its development.

Bang Zoom, To the Moon Greg Lynn

Image via lifewithoutbuildings via io9

[Image via Life Without Buildings via io9.]

In his blog Life Without Buildings, my fellow Tulane Alum, Jimmy Stamp, discusses the latest proposed moon habitat from NASA. Like most of the other articles I’ve seen he discusses the igloo-like shape and inflatable (gas-itechture) structure, yet this discourse is really lacking.

What we are seeing here is not just another exploratory vehicle that will double as a place for astronauts to sleep. Consider Voyager for a second Ann Druyan recorded all sorts of sounds emblematic of the human race, to act as a time capsule, a display of who we are; this is the first piece of human architecture to be built on another celestial body, and I have to ask, where’s the outrage? Of all the structures in all of human history, this is what we build, an inflatable breast? It looks like something Greg Lynn would create, but instead it was designed by engineers? In addition, since when do we allow engineers to create the first lunar human dwelling? Where is the discussion of the space it makes, the space within and the views out? Are there views out? How does it interact with its environment? All of these questions are not a part of the discourse, but they should be. If this was going to be built on earth, in Antartica or below the ocean, these questions would be asked, and maybe those questions are coming. But the discourse should go beyond the poetics of space in space, how is this station powered? Are they using solar arrays, or can they use solar glazing and create views and power at the same time? Is this going to receive oxygen from earth in canisters or farm it through phytoplankton and algae? I guess I’m just an all or nothing kinda guy, don’t tempt me with these images and not give me a full photo tour and write up of the entire moon base.

A pebble bubble fountain?

ASLA.org has an interesting postulation about fountain features called “The Dirt: Fountain-Dread?”

This article made me think of the episode of AB FAB where Saffy wants to put a water feature in their backyard, and the landscape architect spends the whole time poo-pooing it. Though its just a sit come there is a real kernel of truth there, fountains structured gardens and other hallmarks of the 19th century landed gentry estates have become a fixture in suburban tract house development. One has to wonder, in 50 years will mini zoo’s and amusement parks find their way into the American backyard?

Better Red than … an intern-architect?

The Washington Post ran an article by Philip Kennicott in this Sunday’s Style & Arts section about the massive building boom and its affect on the culture of architecture in china. The article goes into depth about how the western concept of permanency and a national architectural identity is in direct contrast to the Chinese (and very eastern) concept of impermanence and intellectual assimilation. This article paints a very interesting picture of how the “Star-chitect” designed buildings fit into the context of the awakening Beijing and compares them to the temporary workers housing.

What intrigued me about this article is how it describes architectural education and the path of current and recent architecture students. The author describes that many students and recent graduates have portfolio’s filled with built projects, whereas here it may be years before a young architect (such as myself) can see any of their work built. This is all too true of an observation, and just like our falling math and language test scores this is an indication of our inability to keep up with world markets. It is common here to reserve “design” work for those who are already licensed and who have a thorough understanding of the components of a building, in doing so, we end up with stale stagnant fabric architecture. The designers here are building buildings which were ideologically relevant 20 years ago; yet those in the office with on average the best understanding of the current design theories are kept drafting and picking up red lines until they pass their exams and leave such childish things as independent thought behind or they leave the profession for something more stimulating.

One of the things that struck the biggest chord with me in this article was the last paragraph. Philip Kennicott predicts this of outcome for most of the hordes of newly educated Chinese architects:

They will emerge from architecture schools and go straight into the state-affiliated design institutes that do the heavy lifting of architecture. They will work for years in a system that resembles medical internship in this country — small pay for huge amounts of work, with the credit taken by their superiors. They will design factories and apartment complexes and shopping centers, with little more creative input than one has pressing the button on a photocopying machine. They will further a profound transformation of their country, with virtually no influence on its direction.

At this I am forced to ask, how does this differ from my experience, and the experience of many other young minds here in the US? We work long hours (hardly any intern architects I know are paid hourly like the AIA encourages, instead we are all salaried), our salaries do not keep up with other professional careers of similar educational requirements and social status, and we have little to no input (and many will never have any input) in the architectural and design dialogue going on in our own country. It is only the exceptional few (by virtue of intelligence, place of education, connections and birth) who get to play a part of this great American architectural dialogue.

And really, how American is American Architecture? Kenicott argues that Chinese Architecture is a nihilistic non-architecture, an assimilation of world thought reproduced through the designs of masters and the hands of untrained workers in a nature of semi permanence and constant change. It is my opinion that the new American Architecture is one and the same. Look at an issue of Architecture Record, the magazine of the AIA, how many projects are built outside of the US and how many by foreign architects? These projects, when they are built, the workforce is composed of untrained itinerant labor, who not only cannot rivet straight, but also cannot install rudimentary wall flashing and end damns. And as for impermanence, look at most of the non-Environmentally friendly buildings built in the last 20 years in our country and you will see structures designed to deteriorate and be replaced within 10-15 years. For over 50 years of the last century, the world was preoccupied with the divide between communism and capitalism. Somehow in the last 20 years US and THEM have essentially become the same.

Absence makes the blog grow quiet

I’ve been out of town for the past two weeks and had nary a moment to read architecture stories, let alone compose a post of my own criticism or comments. Sometimes the real world seems to not want to let me get back to the virtual one.

So instead, as my welcome back post, I thought I would post a link to Eikongraphia’s Most Popular Architecture Blogs of 2008. This is really a best of the best list, look for future articles to be sourced from these blogs (and their coming addition to my links list). Maybe one of these days I can make this little side project into a top 25 worthy entry.

Urban Parkland

So I’ve been digging through the archive of articles that I have meant to write about, but have not had the chance and came across this article from boston.com which discusses Green Roofs, specifically the the American Society of Landscape Architects (ASLA) in Washington DC, and discusses their popularity in Europe and compares them to standard roofs.

Green roofs are one of the areas where building design in the US lags behind the rest of the developed world. In Europe, green roofs are more ingrained in the culture, for lack of space and in the northern climates, as a pre-modern cultural adaption. It has only been recently that this urban parkland has been identified as a environmental boon, and not just a social one. In the US contractors balk at putting dirt, substrate, plants and a drainage method on a roof, complaining that ti will be too costly, need more structural reinforcement that the design calls for, and pose greater chances for leaks. Yet rooftop gardens have been a fixture in NY for years and not just in skyscrapers.

But green roofs should not just be urban elements. The suburban strip mall is perfect for green roofs or PV panels. The large expanses of asphalt and the traditional tar flat roofs can create suburban heat islands to rival their urban counterparts. Plus, it would be a good marketing ploy. Imagine if Target decided that to show its environmental awareness they would plant a green roof on every store, and whatever rainwater seeps through the soil, will be collected in a brown water storage system and used to flush toilets and urinals. Not only would they reap the benefits of lower heating/cooling loads and less municipal water use, but they would also bring in many customers looking for an “environmentally friendly” shopping experience.

Organic Planning?

Recently I have made a number of posts regarding green buildings and the paradigm shift which will be necessary if we are even going to have a truly green architecture (see posts here and here). I bring this up again because i recently read two different articles online from two different architectural professionals from two different cultures, Martha Schwartz – a Boston & London based landscape architect and Harald Bodenschatz – a professor of Sociology and Planning in at the Technical University of Berlin and they both discuss similar goals for a more environmentally friendly development. Schwartz focuses on the urban landscape and its development (or lack thereof) currently as opposed to in a truly green environment, and Bodenscahtz focuses on the development of inner cities and suburbia as sustainable growth tactics and in such a way to help the European city thrive.

While neither of these articles explicitly states my previously argued hypothesis (that in order to be a truly sustainably designed society we need to increase our population densities and thus maximize our transportation schemes), both provide intellectual support to my arguments. Without a new 21st century version of urban renewal – one which is culturally, environmentally and economically sensitive – we will never be able to sustain our growth and development. This collapse in infrastructure is one of the issues facing us today, and it is potentially more threatening than global warming, rising oceans, and food shortages. With more people in the suburbs there are more cars on the road, the more cars the more wear on the roads. The more cars, the higher the demand for and thus the higher the price of gasoline, and the higher the demand for gas the less money available for other “necessities.” Greatly improved mass transit systems could alleviate the strain on our fuel supply and roads, while slightly increased mass transit systems but planned suburban clumping and urban densification could easily have the same impact.

Article: Gehry goes Geometric!

The exterior of the lewis library

[Image via Princeton University]

Frank O. Gehry‘s new building at Princeton University – the Lewis Library – is nearing completion. Princeton’s website has an article describing the new building and giving us a sneak peak inside.

The exterior of the lewis library

[Image via Princeton University]

I hate to prejudge this building, but from the pictures, I worry that this is going to be even worse of an occupant experience than MIT’s Stata Center. The bright contrasting colors of the interior and the sharp dramatic angles seem to go one step beyond the Stata, which looked like it was falling down, instead, the exterior of the Lewis Library looks like a jumble of child’s block swept under a rug and the inside looks like something from a medieval view of hell. In addition, from what we can see in the photographs and what has been installed already, there seems to be a lot of hard surfaces with little acoustic dampening (a problem at the Stata as well). The article makes the claim that the third and fourth floors of the building’s tower will be the quietest places on campus, but i have to wonder about the rest of the building. As far as the exterior goes, it seems to be a natural progression in Gehry’s work. The obvious influences are the Stata center and the disney concert hall as well, but there are more subtle influences here as well. I can see shades of Chiat Day in the volumetric massing and even some of his Gehry house in Santa Monica in the delaminating of the skin from the building and subverting of building conventions.

The thing that I find the most compelling is that when taken as a series this building, Bilbao, the Stata Center, and the Disney Concert hall you can see the progression of how GehryPartners designs – they create volumes and then wrap them in a skin. Bilbao and Disney are both skin-type buildings, Stata is a volume building. The Lewis Library is the closest thing to a hybrid showing both volumes of program and a steel wrapped skin. In two years, after this building has been open and inhabited for a while and has had its due in the architectural magazines we will see what the verdict is n this building.